Cold Call Friendly Phone Book


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Cold Call Friendly Phone Book
everywhere
at Outpost for Contemporary Art
Friday, April 10 at 6:30pm PST and 9:30pm EST

download the template and become part of the crudest social networking software available!

Goals of The Evening
1. Create shared kinesthetic and aural experiences
2. Open doors for future creative processing

COLD CALL FRIENDLY PHONE NIGHT
AN ARTISTIC BRIDGE WHICH ATTEMPTS TO CONNECT FRIENDLY STRANGERS

PARTICIPATING LOCATIONS:
1. Outpost for Contemporary Art 6375 N. Figueroa Street Los Angeles, CA 90042 (323) 982-9461
2. InCUBATE 2129 N Rockwell St, Chicago, Cook, Illinois 60647.
3. 4941 Pine St., Philadelphia PA 19143

OR CALL Phone Number: (724) 444-7444
Call ID: 19198, and join as guest

Probable activities to execute
1. read a poem
2. group stretching exercises
3. interpersonal questions
A). What would I find in your refrigerator right now?
B). If Hollywood made a movie about your life, whom would you like to see play the lead role as you?
C). If you were a salad, what kind of dressing would you have?
D). How would you describe yourself in three words?
E). Where will you be in twenty years?
F). If you had to become a conjoined twin who would you fuse with?
G). Describe the way you dance

Chris Niemi

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Chris Niemi
works on paper
Reception Friday March 27 from 7-10pm
at Outpost for Contemporary Art




Artist's Statement:
In this work I began with paper, paint, brush. I imagined it was the first time I encountered these tools. As an artist this allowed me to investigate my personal approach to artmaking. This led to questions like: at what point does a mark contain meaning? and what can I say with a mark? I added each color in a free floating layer, playing with its connotations. The forms start to arise out of this interplay. As I work on a piece, my interest is to create an emotional portrait rather than an image of objects.

I like to think the first mark is accidental. In a way how can the first one be anything else? Sometimes what is made by chance seems much more intended, maybe it is because you must choose to act randomly. Doing this series for me is almost a form of lucid dreaming. Time ceases to be linear. There is no linked narrative; the beginning, middle, and end of the ‘story’ appear to be happening at one time. Like a vague awareness of a genetic memory that allows you to participate in all memories.

My intention is that the viewer is pulled into an almost social, shifting, relationship with the work as she moves closer, possibly into a more intimate relationship than she wanted to be.

I see this series as raising questions about our relationship to an organic, mutable, messy physical existence and how do we make sense of a necessarily fragmented perception of the world?

Bio:
Chris Niemi was born in St. Paul, Minnesota and received her BFA from the Minneapolis College of Art and Design (MCAD) majoring in painting and sculpture. She currently lives and works in Los Angeles, California. This new series of works on paper visualizes a space and time where the beginning, middle, and end of the ‘story’ are happening simultaneously and raises questions about our relationship to an organic, mutable, messy physical existence.

General Projects: Ron Rudlong Returns 03/23/09 at 9pm



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General Projects Presents:
Ron Rudlong Returns
at Outpost for Contemporary Art
Monday, March 23 at 9pm

Ron Rudlong, founder of such bands as Arson Plus, Mike and the Machinists, The 12 Rons, The Bright Side of Death, Dolphins of Tomorrow, Your Demolition Band, Mouth Babies, Sexy Uncle, Zap, Rosdower, Real Canadian Girlfriend, The Marshall Fucker Band, Rape Door and We are Awesome returns to Los Angeles to play his very last show in Los Angeles before he dies of complications due to Narcolepsy.

Please join us for this occasion.
Yes.

Mathew Timmons
General Director
General Projects

Lip Service in the LOUNGE at REDCAT

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Read a review of Lip Service by Stan Apps.
Buy a copy of Lip Service at Slack Buddha.

Hey! I have a new chapbook out, Lip Service from Slack Buddha Press. Come celebrate this momentous literary occasion in the LOUNGE at REDCAT on Sunday, March 22 at 2pm with readings from myself, Will Alexander and Teresa Carmody and you can pick up your very own copy of Lip Service at the event. You can also order a copy online from Slack Buddha if you are so inclined.
best
Mathew Timmons

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LIP SERVICE

By

Mathew Timmons
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To celebrate this momentous literary and cultural occasion, there will be a reading/release party!

with readings
by
Will Alexander
Teresa Carmody
&
Mathew Timmons


in the LOUNGE At REDCAT
on Sunday March 22nd at 2:00 pm
Free
***

Thus,
Lip Service
A Reading/Chapbook release party

with readings
by
Will Alexander
Teresa Carmody
&
Mathew Timmons

in the LOUNGE at REDCAT
Sunday, March 22 at 2pm
Free

***

And as an added bonus incentive for joining us, you can pick up your own copy of Lip Service at REDCAT.

Or, to let you off the hook, but continue your celebratory obligation, you can order a copy online here,

***

LIP SERVICE
By
Mathew Timmons

***

Will Alexander is a poet and visual artist. Working from Los Angeles, he has updated the surrealist vision to write his own cosmic parables, in his own electric incandescent language. Alexander's writing represents a complex distillation of images from many fields, including botany, astronomy, psychology, physiology, mysticism, and history. His books include Above the Human Nerve Domain, Exobiology as Goddess, Asia & Haiti, Towards the Primeval Lightning Field (essays), The Stratospheric Canticles and Sunrise and Armageddon. He has two works forthcoming: Alien Weaving (Green Integer) and Sri Lankan Loxodrome (Canopic Publishing). The International Biographical Centre in Cambridge, England named Will Outstanding Scholar of the 20th Century, and he was also recognized by the Whiting Foundation for exceptional literary achievement in New York. In 2002 Will received a fellowship for poetry from the California Arts Council.

Teresa Carmody is the author of Requiem, (Les Figues, 2005) and the recent chap/micro books Eye Hole Adore (PS Books, 2008) and Your Spiritual Suit of Armor by Katherine Anne by Teresa Carmody (Woodland Editions, 2009). Other work has appeared in the emohippus greeting cards series, Slope, Fold Appropriate Text, American Book Review, Bombay Gin, and 4th Street. She was an organizer of the original Ladyfest (Olympia) and co-organizer of Feminaissance, a colloquium on women and writing at the Los Angeles Museum of Contemporary Art. She lives in Los Angeles where she is Co-Director of Les Figues Press.

Mathew Timmons is a writer, curator and critic in Los Angeles. He curates the installation series, The Ups & Downs, at workspace and runs General Projects at Outpost for Contemporary Art. He also co-edits/curates Insert Press (w/ Stan Apps), LA-Lit (w/ Stephanie Rioux) and Late Night Snack (w/ Harold Abramowitz). A chapbook, Lip Service is recently out from Slack Buddha Press. His first full length book, The New Poetics (Les Figues Press), his micro-book collaboration with Marcus Civin, a particular vocabulary (P S Books), and a chapbook, Lip Music (By the Skin of Me Teeth), are forthcoming. His work may be found in various journals, including: P-Queue, Holy Beep!, Flim Forum, The Physical Poets, NōD, PRECIPICe, Or, Moonlit, aslongasittakes, eohippus labs, Area Sneaks, Artweek and The Encyclopedia Project.

Movie Reel Project

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Movie Reel Project
at Outpost for Contemporary Art

Over the course of the next few months we'll be switching in and out various videos from various artists. During open hours at Outpost you may arrive and find one of the movies from the list below happily playing along on a nice monitor. We'll also be scheduling screenings of these projects at Outpost. We might also make popcorn. mmmmmm...

Ainsi fon fon fon les petites demoiselles… and that’s why I’m not a Lesbian.
Multimedia Installation, May 2007, California Institute of the Arts.
An original work by Frederique de Montblanc and Janne Larsen
Artists who have participated on this project: Sidonie Loiseleux, Yuen Cheuk Wa, Pablo Molina, Zachary Drucker and Arsene Delay.
This is a compilation of four videos--Self Portrait, Concentrated Milk, The Old Lady and the Milkmaid and Masculinihilist--developed about the many facades woman put on and discard throughout the various roles they play. Watch The Old Lady and the Milkmaid Now.

The Audience Reacts
by Julia Sherman
On television and film productions featuring a live audience, there comes a time when the extras are asked to cycle through all possible reactions to the actual show. This footage will be edited into 2 second segments later on, but the shoot turns into a kind of endurance test of artifical emotion. This strange excercise is a much-anticipated moment for extras to act on-camera, and the result is some kind of super-audience, with endless stamina and unparalleled enthusiasm. In The Audience Reacts, we never catch a glimpse of what the audience may or may not be watching on stage/screen. They dart back and forth between extreme reactions, booing, clapping, laughing and hissing in an infinite loop, suddenly becoming the stars of their very own movie. See an example here.

Boards and Nails: On Non-Profit Boards

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The After School Arts Program (ASAP) will be presenting a free conversation at Outpost for Contemporary Art on Saturday, March 14 from 1:00-3:00 p.m.

Boards and Nails: On Non-Profit Boards
Presentation will be followed by Q&A

Listen to a recording of the conversation.

Guest Speakers:

Walter Askins
Artist, Former Board member of the Pasadena Arts Museum (1963-1968)
and Los Angeles Institute of Contemporary Art (LAICA)

Letitia Ivins
Former member of the Outpost for Contemporary Art Advisory Board and current
member of the Los Angeles County Arts Commission

Vincent Ruiz-Abogado, LACE Board Member, is an independent art
director and film maker.

There will be refreshments, so please come early and stay after to chat.


About the After School Arts Program:
The After School Arts Program (ASAP) provides innovative and
experimental arts programming for artists, curators, historians and
critics interested in continuing their education in the visual arts.

ASAP is a not-for-profit community service offering lectures, salons,
workshops, critiques, exhibitions, film screenings and publications.
Dedicated to producing an educational and creative space outside of
the university system, ASAP is a bridge between the rigors of academia
and the plasticity of the natural world. Supporting programs/curricula
that might not exist with in a university setting, ASAP is committed
to experimentation and the ideology that the current status quo for
arts education is not the most effective method for engaging
contemporary audiences. ASAP does not advocate a superior method for
communicating ideas visually but rather promotes alternative modes of
understanding.