CREDIT Launch! & Conceptual Lit Reading! in Los Angeles!



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CREDIT Launch! & Conceptual Lit Reading! in Los Angeles!
Outpost for Contemporary Art

presented by General Projects, Blanc Press and Insert Press
Saturday December 19, 2009 from 5 p.m. to 8 p.m.
1268 N. Ave 50, Los Angeles, CA 90042 (323) 982-9461

Do you sometimes wonder: "What the heck is Conceptual Writing!?" Some amazing new fad sweeping the nation? Some bland thing a bunch of dudes thought up in a bar as a joke? The new genre of infomercials after the tragic death of Ron Popeil? All this and so much more?!!

After a string of conferences, events, publications, etc--Conceptual Poetry and its Others conference at University of Arizona Poetry Center, May 29-31, 2008; Flarf vs. Conceptual Writing! at The Whitney, April 17, 2009; Conceptual Writing! & Its Environs, The Uferhallen, Berlin, May 1, 2009; a portfolio of Flarf and Conceptual Writing! in Poetry Magazine, July/August, 2009--Conceptual Writing! has arrived in LA, only to find that it's already there!? Los Angeles!? Conceptual Writing!

Discover Conceptual Writing! and so much more as you encounter the Conceptual Writing! of Harold Abramowitz, Joseph Mosconi, Bruna Mori, Vanessa Place, Ara Shirinyan, Brian Kim Stefans, Mathew Timmons and Christine Wertheim at the Conceptual Lit Reading! & CREDIT Launch! in Los Angeles! at Outpost for Contemporary Art in Highland Park on Saturday December 19, 2009 from 5 p.m. to 8 p.m. presented by General Projects, Blanc Press and Insert Press.

Come celebrate the release of Mathew Timmons' CREDIT, an 800 page, large format, full color, hardbound book published by Blanc Press and retailing for $199.99 which the author himself lacks the cash or credit to purchase. Come also to celebrate Conceptual Writing! in Los Angeles! with the wonderful Conceptual Writing! of Harold Abramowitz, Joseph Mosconi, Bruna Mori, Vanessa Place, Ara Shirinyan, Brian Kim Stefans, Mathew Timmons and Christine Wertheim at the CREDIT Launch! & Conceptual Lit Reading! in Los Angeles! at Outpost for Contemporary Art in Highland Park on Saturday December 19, 2009 from 5 p.m. to 8 p.m. presented by General Projects, Blanc Press and Insert Press.

For more information about this event, please contact: laliterature [at[ gmail [dot[ com

Information About the Artists:
Harold Abramowitz's books and chapbooks include Not Blessed (forthcoming Les Figues Press), Sin is to Celebration (co-author, House Press), Dear Dearly Departed (Palm Press), Sunday, or A Summer’s Day (PS Books), and Three Column Table (Insert Press). Harold co-edits the short-form literary press eohippus labs.
See: eohippus labs - Three Column Table - Sunday, Or A Summer's Day - Dear Dearly Departed - Late Night Snack

Joseph Mosconi co-edits the art & poetry journal Area Sneaks and co-directs the Poetic Research Bureau. He has been mispronouncing words for approximately 30 years.
See: Area Sneaks - Triple Canopy - fillip - Poetic Research Bureau -

Bruna Mori's books are Dérive (Meritage Press), Tergiversation (Ahadada Books), and Poetry for Corporations, forthcoming from Insert Press. She recently relocated from downtown L.A. to the Village of La Jolla, where she will be teaching "What Happens When Nothing Happens" at UCSD; she also writes copy for design firms and is Lucien's mom.
See: Dérive - Tergiversation - Drunken Boat - LA-Lit

Vanessa Place is a writer, a lawyer, and co-director of Les Figues Press. She is author of Dies: A Sentence (Les Figues Press, 2006), La Medusa (Fiction Collective 2, 2008), and Notes on Conceptualisms, co-authored with Robert Fitterman (Ugly Duckling Presse, 2009). Her nonfiction book, The Guilt Project: Rape, Morality and Law is forthcoming from Other Press in 2010. Information As Material will be publishing her trilogy: Statement of Facts, Statement of the Case, and Argument. Statement of Facts will also be published in France by éditions è®e, as Exposé des Faits.
See: Ugly Duckling Presse - Les Figues - Fiction Collective 2

Ara Shirinyan is the author of four books, most recently Your Country Is Great (Afghanistan–Guyana), from Futurepoem Books, and editor of Make Now Press. He codirects the Poetic Research Bureau and lives in Los Angeles.
See: Palm Press - Insert Press - Futurepoem Books - Poetic Research Bureau

Brian Kim Stefans is a poet and digital artist who moved to Los Angeles last year to take a job at UCLA. His work can be found at www.arras.net. His most recent books of poetry are What Is Said to the Poet Concerning Flowers and Kluge, both of which can be bought at Small Press Distribution (www.spdbooks.org).
See: PennSound - The Dreamlife of Letters - Fashionable Noise - Salt Publishing

Mathew Timmons has published prose, poetry and criticism in various places including: P-Queue, Flim Forum, The Physical Poets, Or, eohippus labs, Area Sneaks, Artweek, Artillery, The Magazine, X-TRA and The Encyclopedia Project. A chapbook, Lip Service (Slack Buddha), and an 800 page full color, large-format, hardbound book, CREDIT (Blanc Press), was recently published. His first full-length book, The New Poetics (Les Figues Press) and his micro-book collaboration with Marcus Civin, a particular vocabulary (P S Books) are forthcoming.
See: Blanc Press - General Projects - Insert Press - LA-Lit - Late Night Snack

Christine Wertheim is the author of +|'me’S-pace (Les Figues Press) and the editor of Feminniasance (Les Figues Press, 2010). Recent critical work and poetry appears in X-tra, Cabinet, The Quick and the Dead, Drunken Boat, Tarpaulin Sky and Veer. With Matias Viegener she co-edited the anthologies Seancé and The nOulipian Analects.
See: Christine's site - +|'me'S-pace - Feminaissance - The /n/oulipian Analects

The Ups & Downs



The Ups & Downs

65 | 77 | 03 | by Liz Glynn

Friday September 4 & Saturday September 5 from 7-10pm
a General Project at workspace

To attend the opening on September 4th, please RSVP to mathewtimmons[at]gmail[dot]com. Space is limited. Opening is FULL!!! No more RSVPs please, unless you've received a direct invitation to the opening!

The Ups & Downs is an installation series. The show goes up, the show goes down. Opening party on Friday night and closing party the next night, on Saturday. No time for exhibitions. Low impact, ephemeral and immersive art. People with lots of People. The market. It’s a party. Time for the underground. It’s a ball. It’s for The People. This has been made for you. You look familiar? The show must go on. Installed and De-installed. Up. Down. Now what? Now then…

artist’s statement:
One hundred seven stories high over Manhattan, a group of diners at the World Trade Center's skyscraping restaurant Windows on the World downed their digestifs, took a last glance at the stunning lightshow below, and crowded into a waiting down elevator. The doors slid shut. The elevator didn't budge. Someone stabbed irritably at the button. Nothing happened. Somebody got the doors open and the passengers free. "The elevator's out," one of them huffily informed the white-jacketed captain. The captain shrugged toward the nightscape outside, gone suddenly inky black. "So's New York," he replied. - from "Heart of Darkness," Newsweek, June 25, 1977

65 | 77 | 03 | - is a meditation on the blackouts which have occurred in New York City over the last forty years. From the relative social harmony of the mid sixties to the period of unrest and economic stagnation which followed in the next decade, each blackout unfolded in a different socio-economic context. Based on interviews and news accounts of each event, Liz Glynn will stage a series of vignettes exploring the social dynamics of a city gone dark.

artist’s bio:
Liz Glynn uses objects and actions to explore the ambition of empire and the pleasure of ruin. Her practice seeks to embody dynamic cycles of growth and decay by evidencing process, encouraging participation, and inciting future action. Her work has been presented at venues including the New Museum (NYC), the Los Angeles County Museum of Art (LACMA), Machine Project, the REDCAT Lounge. Reviews of her work have appeared in the New York Times, New York Magazine, the Los Angeles Times, Art Lies, Domus, and Archaeology Magazine. She received her MFA from California Institute of the Arts, and her BA from Harvard College.

Reading Extravaganza!

This just in from Harold Abramowitz - co-editor of eohippus labs!


Dear Friends,

Please join eohippus labs for

A Dual Book Release Event...

Where we will

1. Unveil the very fine

Emohippus Greeting Card 3rd Series



And ask you to

2. Make merry with us over the release of the full-length chapbook

Sin is to Celebration

by

Amanda Ackerman & Harold Abramowitz



Sunday, August 16th, 2009


FREE

Doors open at 2:30pm

Reading starts at 3:00pm
at The Lounge at REDCAT



with readings of emotional writing by

Teresa Carmody

Honey Crawford

Darin Klein

Vanessa Place

SAM OR SAMANTHA YAMS

Mathew Timmons

&

Others

Les Figues: Maneuvers


Les Figues Press is publishing a book by me! The New Poetics comes next year in their Trench Art: Maneuvers series. Each year they begin by publishing a book of aesthetic statements from the artists and writers participating in the series. Below is all the info you need to pick up a copy of the aesthetics... become a member, it's a great press!

Les Figues Press happily announces the fifth TrenchArt series:
TrenchArt: Maneuvers

aesthetics by:
Harold Abramowitz
Vincent Dachy
Lily Hoang
Paul Hoover
Mathew Timmons

Art by VD Collective
Design by Teresa Carmody
Book 1 of 5, TrenchArt: The Maneuvers Series
ISBN 13: 978-1-934254-11-0
39 pp. | handbound | hand-folded

AVAILABLE NOW by SUBSCRIPTION MEMBERSHIP

Hand-bound in an edition of 250, TrenchArt: Maneuvers introduces the fifth annual TrenchArt series, with aesthetics written by participating series writers and visual artists. Maneuvers explores the possibilities of re-ordered time and content framed with the understanding that one cannot separate content from time, and that to shift the form or the order is to shift the subjectivies of a text. The participants in the 2009/2010 series are Harold Abramowitz, Lily Hoang, Paul Hoover, Matthew Timmons and Vincent Dachy.

Read Excerpts: YES!

TrenchArt is an annual subscription series of innovative literature and poetics. Become a SUBSCRIBING MEMBER and receive all five books in the TrenchArt Maneuvers series, as they are published, including:

• TrenchArt: Maneuvers, July 2009
• Sonnet 56 by Paul Hoover, November 2009
• Not Blessed by Harold Abramowitz, January 2010
• The Evolutionary Revolution by Lily Hoang, April 2010
• The New Poetics by Mathew Timmons, July 2010

LES FIGUES PRESS: CREATING AESTHETIC CONVERSATIONS

Address postal inquiries to:
Les Figues Press
Teresa Carmody
PO Box 7736
Los Angeles, CA 90007

Review of Erik Frydenborg's show at Bonelli

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My review of Erik Frydenborg's show Protein Recital at Bonelli Contemporary for The Magazine has been posted online if yr interested in reading...

CREDIT




CREDIT
by Mathew Timmons
Coming soon from Blanc Press in Los Angeles!

an 800pg full color, large format, hard bound book!

An Afternoon Reading... July 12, 2009 at The Lounge at REDCAT

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This in from Harold Abramowitz...

Hello Friends,

Please Join us for

An Afternoon Reading...

Sunday, July 12, 2009
at The Lounge at REDCAT

with

Tetra Balestri
Tisa Bryant
Jennifer Nellis
&
Mathew Timmons

FREE & FREE COFFEE

Doors open at 11:30am
Reading starts at noon

Tetra Balestri is a recent resident of LA hailing from SF by way of NY. Her poems have appeared in the magazines Sal Mimeo and There Are Flying Planes and her chapbook, Cheap Imitations, was published by Green Zone in 2008. Her plays have been performed at Under St. Marks Theater and the Ontological Theater in New York as well as the Poet's Theater in San Francisco. She has worked as an archivist for poet Larry Fagin and as assistant editor and contributor to various Facts on File encyclopedias including Encyclopedia of European Peoples. She currently works at the Beyond Baroque Literary and Arts Center in Venice.

Tisa Bryant’s first book, Unexplained Presence (Leon Works, 2007), is a collection of original, hybrid fiction-essays that remix narratives from Eurocentric film, literature and visual arts and zoom in on the black presences operating within them. An excerpt from her novella, [the curator], was published by Belladonna Books, along with the work of filmmaker/writer Chris Kraus. Tisa is currently sketching out an historical novel, getting Vol. 2 of the hardcover annual, The Encyclopedia Project, she co-edits, ready to go to print, and she is very happy to be relocating to LA this fall to teach creative writing at CalArts.

Jennifer Nellis lives, teaches, and writes in the Inland Empire. Her poems can be found on Cricket Online Review and the forthcoming issue of mark(s). Her movie-telling/benshi pieces, A Dip in the Pool and Poison, have been performed in San Francisco, LA, Miami, and various living rooms across the country.

Mathew Timmons is a writer, curator and critic in Los Angeles. He is General Director of General Projects and he co-edits/curates Insert Press (w/ Stan Apps), LA-Lit (w/ Stephanie Rioux), Late Night Snack (w/ Harold Abramowitz) and is the Los Angeles editor of Joyland. A chapbook, Lip Service is recently out from Slack Buddha Press. His first full length book, The New Poetics (Les Figues Press) and his micro-book collaboration with Marcus Civin, a particular vocabulary (P S Books), are forthcoming. His work may be found in various journals, including: P-Queue, Holy Beep!, Flim Forum, The Physical Poets, Or, Moonlit, aslongasittakes, eohippus labs, Area Sneaks, Artweek, Artillery, The Magazine and The Encyclopedia Project. He teaches interdisciplinary arts and writing workshops for CalArts School of Critical Studies.

The Ups & Downs: Brian Kim Stefans



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The Ups & Downs
Scriptor 1.0 by Brian Kim Stefans

Friday June 5 & Saturday June 6 from 7-10pm
with a short artist's talk each night at 8pm
at workspace

The Ups & Downs is an installation series. The show goes up, the show goes down. Opening party on Friday night and closing party the next night, on Saturday. No time for exhibitions. Low impact, ephemeral and immersive art. People with lots of People. The market. It’s a party. Time for the underground. It’s a ball. It’s for The People. This has been made for you. You look familiar? The show must go on. Installed and De-installed. Up. Down. Now what? Now then…



artist's statement:
The Scriptor series is meant to bring free form doodling into the digital world. For the project, I created my own letterform creation program that, purposefully, lacks many of the elements of professional graphics programs such as Illustrator and Flash that encourage symmetry, cut-and-paste, and the mathematically precise placement of objects that we associate with digital design, not to mention much digital art. These letterforms and doodles are all "by hand," and "by eye" - they are a version of penmanship for the screen, but one in which each line or stroke of the letterform can be animated algorithmically (something you can't do with digital fonts). The words themselves are parsed from news articles - interesting phrases are randomly picked out, given randomly generated sizes, placements and trajectories, as well as a "crazy level" (that's the name of the variable in the program) that determines their legibility. This "crazy level" can grow or shrink - once the "crazy level" reaches a certain pitch, the letter explodes, but in some instances letters can be brought back from the brink of disaster to reach a stable state again.



Scriptor teases the eye into a game of determining when a form is merely a scrawl and/or when it makes that invisible transition into an icon, a "letter" - or, inkblot-test style, into something else. These are not films - nothing you see on the screen will ever happen again (or, for that matter, ever happened).

artist's bio:
Brian Kim Stefans is a poet and digital artist whose recent books include Kluge: A Meditation, and other works (Roof, 2007), What is Said to the Poet Concerning Flowers (Factory School, 2006), and Before Starting Over: Essays and Interviews (Salt Publishing, 2007). His digital works such as "The Dreamlife of Letters" and "Star Wars, One Letter at a Time" have been shown in gallery settings worldwide; many of these can be found at his website, www.arras.net. He is an Assistant Professor of English at UCLA, specializing in poetry and electronic writing.

Performance / Lectures !!

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Perfomance / Lectures !!
David Buuck & Liz Glynn

Saturday, May 23 from 4-7pm
at Outpost for Contemporary Art



Liz Glynn uses objects and actions to explore the ambition of empire and the pleasure of ruin. Her practice seeks to embody dynamic cycles of growth, possibility, and decay by evidencing process, encouraging participation, and inciting future action. Her work has been presented at venues including the Los Angeles County Museum of Art (LACMA), Machine Project, the REDCAT Lounge, John Connolly Presents (NYC), and is currently on view as part of The Generational: Younger than Jesus at the New Museum in NYC. Reviews of her work have appeared in the New York Times, New York Magazine, the Los Angeles Times, Art Lies, Domus, and Archaeology Magazine among others. She has attended residencies at O’ Artoteca in Milan, and the Atlantic Center for the Arts. She received her MFA from California Institute of the Arts, and her BA from Harvard College.



David Buuck will give a performative talk & image (de)tour of recent projects initiated by BARGE (The Bay Area Research Group in Enviro-aesthetics), including multi-platform investigations of various sites in the San Francisco Bay Area. Using text, photos, performance, walking tours, psychogeography, music, & found materials, these projects explore how various methodologies might engage & respond to the specific historical & material conditions of a given site or field of inquiry. As an extension of these inquiries, notions such as the 'artist talk' or the 'slide lecture' become arenas for performance & improvisation as well.

BARGE was started by David Buuck in 2003. BARGE has organized several (de)tours around the Bay Area, investigating regional sites & spaces that are underrepresented & overlooked in more conventional touristic, commercial, & socio-political notions of place & public space. BARGE investigates how vernacular landscapes — from highways & billboards to waterfronts & public utilities, from industrial lots & server farms to military bases & surveillance zones — are constructed & inhabited, while also exploring the ways in which engaged psychogeography can provide new modes of counter-tourism & activism. Recent investigations include Buried Treasure Island (Yerba Buena Center for the Arts, 2008), "!7 Reasons Why" (Mission17 Gallery, 2009), & "Matta-Clark Parks" (Root Division Gallery, 2009). David Buuck's The Shunt is just out from Palm Press, and recent writing has appeared in SITE/CITE/CITY (2008), Artweek, Bombay Gin, With+Stand, Try, & elsewhere.

Closing!

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Ecliptic
By Dorsey Dunn
&
Set for a Play that Doesn’t Exist
By Janne Larsen in collaboration with Mathew Timmons
Last Chance to see these shows!
Friday, May 8 from 7-10pm
Saturday, May 9 from 12noon-5pm
at Outpost for Contemporary Art

Ecliptic
By Dorsey Dunn
projected text, sound; dimensions variable

Ecliptic is a single piece of narrative movement projected on up to three adjoining walls. It is a capturing of the interior voice and a visualization of the recessional quality of the mind’s present moment. From the right, a discontinuous stream of language pops suddenly into view. The words move leftward at a walking pace, their thin line of monologue traveling unfettered through space. The words form a twenty-minute looped interior monologue which is written such that the observer may pick up threads of the conversation’s main themes at any time: the text ‘updates’ itself, and tracks back on itself, frequently. A minimalist bed of ambient sound accompanies the projection.


Set for a Play that Doesn’t Exist
By Janne Larsen in collaboration with Mathew Timmons

The Play that Doesn’t Exist, ‘An Information of Skin’ centers on the absence of characters and the buildup of detritus. The Play that Doesn’t Exist, ‘Detritus’ is about the building of flesh upon flesh. The Play that Doesn’t Exist, ‘Dermatitis’ celebrates Demeter’s gift of cereal to humankind as two (or three, maybe four) characters banter over the longest breakfast that turns successively into lunch then dinner and then again into breakfast. The Play that Doesn’t Exist is a war between time passing and the nature of our humanity celebrating Demeter’s gift of flesh upon flesh upon flesh upon flesh upon flesh. Duration is the constant timeline as time struggles with becoming new again—an emotional overhaul, confronting and discarding it’s own skin. Characters struggle with and are eventually won over by anonymity and absence as they find themselves immersed within a Set for a Play that Doesn’t Exist.

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Dorsey Dunn is a Los Angeles-based artist. His work in sound, text and image, in the form of installations, performances and written and recorded works, is an extended meditation on the perimeters of language, the movements of silence, and the vagaries of comprehension. Languages, spoken and sounded, in their multiplicities of gesture and meaning, are a primary concern, as are considerations of memory, spatial presence, and will. Dorsey regularly exhibits and performs his sound-led installations and music in the US and internationally. He has received invitations to exhibitions and residencies around the world, most recently to Q-O2 Gallery in Brussels; the new media lab TESLA in Berlin; Jack Straw New Media Gallery in Seattle; Festival International de Arte Digital, Rosario, Argentina; MusicAcoustica in Beijing; and Is Arti in Vilnius and Kaunas, Lithuania. Previously, he edited an international literary magazine, Trafika, based in Prague and New York. He was educated in New York City.

Bridging the gap between installation art and set design, Janne Larsen translates text and dimensionality into new forms of expression. Her work explores spatial development in performance and gallery dynamics. Through social experiments in art, Larsen breaks through the fourth wall by challenging the structures behind preconceived notions of art and performance. Janne Larsen received her B.A in philosophy from DePaul University and in 2007 received her M.F.A from CalArts. A Los Angeles based installation artist and set designer, Janne Larsen has exhibited at Telic Arts Exchange, workspace, L.A Municipal Gallery, UCLA’s Kerkhoff Gallery, The Fine Arts complex at Cal State L.A., Art House Gallery, BetaLevel, and the Museum of Contemporary Art DC. She has also designed sets at Pomona College, Bootleg, The Odyssey, Caltech, and Cal Arts. Janne has recently been published in the magazine, “Zen Monster” and is currently working on a book of illustrations entitled “Tea Parties” with Amanda Tomme. In the upcoming year, sponsored by the Greek Ministry of Culture, Janne expects to bring the tragedy, Medea, to the Daveli Cave outside of Athens, Greece.

Mathew Timmons is a writer, curator and critic in Los Angeles. He is General Director of General Projects at various locations including Outpost for Contemporary Art and The Ups & Downs, an installation series, at workspace. He also co-edits/curates Insert Press (w/ Stan Apps), LA-Lit (w/ Stephanie Rioux), Late Night Snack (w/ Harold Abramowitz) and he is the Los Angeles editor of Joyland. A chapbook, Lip Service is recently out from Slack Buddha Press. His first full-length book, The New Poetics (Les Figues Press), his micro-book collaboration with Marcus Civin, a particular vocabulary (P S Books), and a chapbook, Lip Music (By the Skin of Me Teeth), are forthcoming. His work may be found in various journals, including: P-Queue, Holy Beep!, Flim Forum, The Physical Poets, NōD, PRECIPICe, Or, Moonlit, aslongasittakes, eohippus labs, Area Sneaks, Artweek, The Magazine and The Encyclopedia Project.

Openings!

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Ecliptic
By Dorsey Dunn
&
Set for a Play that Doesn’t Exist
By Janne Larsen in collaboration with Mathew Timmons
Friday, May 1 from 7-10pm
at Outpost for Contemporary Art

Ecliptic
By Dorsey Dunn
projected text, sound; dimensions variable

Ecliptic is a single piece of narrative movement projected on up to three adjoining walls. It is a capturing of the interior voice and a visualization of the recessional quality of the mind’s present moment. From the right, a discontinuous stream of language pops suddenly into view. The words move leftward at a walking pace, their thin line of monologue traveling unfettered through space. The words form a twenty-minute looped interior monologue which is written such that the observer may pick up threads of the conversation’s main themes at any time: the text ‘updates’ itself, and tracks back on itself, frequently. A minimalist bed of ambient sound accompanies the projection.


Set for a Play that Doesn’t Exist
By Janne Larsen in collaboration with Mathew Timmons

The Play that Doesn’t Exist, ‘An Information of Skin’ centers on the absence of characters and the buildup of detritus. The Play that Doesn’t Exist, ‘Detritus’ is about the building of flesh upon flesh. The Play that Doesn’t Exist, ‘Dermatitis’ celebrates Demeter’s gift of cereal to humankind as two (or three, maybe four) characters banter over the longest breakfast that turns successively into lunch then dinner and then again into breakfast. The Play that Doesn’t Exist is a war between time passing and the nature of our humanity celebrating Demeter’s gift of flesh upon flesh upon flesh upon flesh upon flesh. Duration is the constant timeline as time struggles with becoming new again—an emotional overhaul, confronting and discarding it’s own skin. Characters struggle with and are eventually won over by anonymity and absence as they find themselves immersed within a Set for a Play that Doesn’t Exist.

≡≡≡≡≡
Dorsey Dunn is a Los Angeles-based artist. His work in sound, text and image, in the form of installations, performances and written and recorded works, is an extended meditation on the perimeters of language, the movements of silence, and the vagaries of comprehension. Languages, spoken and sounded, in their multiplicities of gesture and meaning, are a primary concern, as are considerations of memory, spatial presence, and will. Dorsey regularly exhibits and performs his sound-led installations and music in the US and internationally. He has received invitations to exhibitions and residencies around the world, most recently to Q-O2 Gallery in Brussels; the new media lab TESLA in Berlin; Jack Straw New Media Gallery in Seattle; Festival International de Arte Digital, Rosario, Argentina; MusicAcoustica in Beijing; and Is Arti in Vilnius and Kaunas, Lithuania. Previously, he edited an international literary magazine, Trafika, based in Prague and New York. He was educated in New York City.

Bridging the gap between installation art and set design, Janne Larsen translates text and dimensionality into new forms of expression. Her work explores spatial development in performance and gallery dynamics. Through social experiments in art, Larsen breaks through the fourth wall by challenging the structures behind preconceived notions of art and performance. Janne Larsen received her B.A in philosophy from DePaul University and in 2007 received her M.F.A from CalArts. A Los Angeles based installation artist and set designer, Janne Larsen has exhibited at Telic Arts Exchange, workspace, L.A Municipal Gallery, UCLA’s Kerkhoff Gallery, The Fine Arts complex at Cal State L.A., Art House Gallery, BetaLevel, and the Museum of Contemporary Art DC. She has also designed sets at Pomona College, Bootleg, The Odyssey, Caltech, and Cal Arts. Janne has recently been published in the magazine, “Zen Monster” and is currently working on a book of illustrations entitled “Tea Parties” with Amanda Tomme. In the upcoming year, sponsored by the Greek Ministry of Culture, Janne expects to bring the tragedy, Medea, to the Daveli Cave outside of Athens, Greece.

Mathew Timmons is a writer, curator and critic in Los Angeles. He is General Director of General Projects at various locations including Outpost for Contemporary Art and The Ups & Downs, an installation series, at workspace. He also co-edits/curates Insert Press (w/ Stan Apps), LA-Lit (w/ Stephanie Rioux), Late Night Snack (w/ Harold Abramowitz) and he is the Los Angeles editor of Joyland. A chapbook, Lip Service is recently out from Slack Buddha Press. His first full-length book, The New Poetics (Les Figues Press), his micro-book collaboration with Marcus Civin, a particular vocabulary (P S Books), and a chapbook, Lip Music (By the Skin of Me Teeth), are forthcoming. His work may be found in various journals, including: P-Queue, Holy Beep!, Flim Forum, The Physical Poets, NōD, PRECIPICe, Or, Moonlit, aslongasittakes, eohippus labs, Area Sneaks, Artweek, The Magazine and The Encyclopedia Project.

What's Wrong with Relational Aesthetics?

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What's Wrong with Relational Aesthetics?
Robert Summers and Mathew Timmons
presented by After School Arts Program (ASAP)
Saturday, April 25 from 1-4pm
at Sea and Space Explorations

Please join us for the first of a series of conversations asking "What's wrong with Relational Aesthetics?" You are encouraged to bring a couple sentences answering the question, "What's Wrong with Relational Aesthetics?" The talk will be structured around the answers received.

Listen to audio of the event here.

or download the mp3 file.

After School Arts Program (ASAP) provides innovative and experimental arts programming for artists, curators, historians and critics interested in continuing their education in the visual arts.

ASAP is a not-for-profit community service offering lectures, salons, workshops, critiques, exhibitions, film screenings and publications. Dedicated to producing an educational and creative space outside of the university system, ASAP is a bridge between the rigors of academia and the plasticity of the natural world. Supporting programs/curricula that might not exist with in a university setting, ASAP is committed to experimentation and the ideology that the current status quo for arts education is not the most effective method for engaging contemporary audiences. ASAP does not advocate a superior method for communicating ideas visually but rather promotes alternative modes of understanding.

Late Night Snack



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Late Night Snack
in the lounge at REDCAT
Tuesday, This Time On Tuesday!
Tuesday, April 28 at 7:30pm


...
name. Eastern philosophy, absurd theatre, the Soviet skirt of kid birthday parties on Flickr. Intrigued, the first hit when I reach for and plentifully strange telephone calls. Live one year its Mitmusiker essentially determined volume, which I always trying new program with my commenters this time... Yet.
When I don't say youre only the musical star Rainer Luhn delivers his artistic visiting card. The craving for Ritz crackers in forever. I promise I'm reading, so I also the ways people here are a hot summer night. Straight from the pickle relish, a crib play. Thrust RTS performances are in the caption of performance, such as sound poetry of illegal bacon wrapped pigs in you set the recipe with Travestie, whose well-known and ethnical specialities form singular, surprising compositions. We're in jazz up boxed macaroni and plan ahead for breakfast and bakery that was young, tuna fish once we realized eating
...

At Late Night Snack on January 21, 2009:
Vinny Golia performed.
Corey Fogel performed.
Michelle Detorie read.
Sawako Nakayasu video chatted.
Skull Kiss performed.

...

At Late Night Snack on December 12, 2008:
CamLab performed.
Stan Apps read.
Honey Crawford read.
Liz Glynn performed.
Felix Flealick performed.

...

At Late Night Snack on October 4, 2008: Stan Apps, Mathew Timmons, and Jesse Bonnell performed a play by Brent Cunningham. Harold Abramowitz and Mathew Timmons read Fox in Sox by Dr. Seuss. Poor Dog Group performed. Andrew Choate performed. Christine Wertheim performed. Allison Carter and Beth McNamara performed. ... At Late Night Snack on September 30, 2008: Liz Hansen read. Laura Steenberge played her light cage. Ara Shirinyan read. BodyCity danced. ... At Late Night Snack on February 17, 2008: Allison Carter read. Caribbean Fragoza read. Danielle Adair read. … At Late Night Snack on November 15, 2007: Sean Deyoe lectured. Michelle Detorie read. Sandy Ding and Mathew Timmons improvised a film score. Ara Shirinyan read. Teresa Carmody and Vanessa Place read and asked others to read. Amanda Ackerman and Harold Abramowitz read. Jason Brown lectured and led a sing-along. Danielle Adair performed. Honey Crawford, Jen Hofer and Billy Mark created poetry. Laura Steenberge talked. Liz Glynn and Matt Kool performed. … At Late Night Snack on October 25, 2007: Sandy Ding screened two films, accompanied by Laura Steenberge on bass. Heather Lockie played banjo and sang, accompanied by Laura Steenberge on bass. Mitsu Salmon performed. Marcus Civin read. … At Late Night Snack on October 11, 2007: Susanne Hall read and presented a movie with Ryan Adlaf. Harold Abramowitz and Mathew Timmons collaborated. Amanda Ackerman read. Jason Brown lectured about poetry and memory. Michelle Detorie read. … At Late Night Snack on September 27, 2007: Gerard Olson read. Michael Smoler read. Catherine Daly read. Laura Steenberge & Heather Lockie composed and performed a film score. Michael Kelleher read. Emily Lacy played guitar and banjo and sang. … At Late Night Snack on September 13, 2007: Liz Glynn performed Untitled. Ara Shirinyan read. Eileen Myles read. … At Late Night Snack on August 7, 2007: Harold Abramowitz and Mathew Timmons collaborated. Amanda Ackerman read. Ara Shirinyan presented a paper. Jenny Hodges showed slides and read. Everyone collaborated with the internet. … At Late Night Snack on July 24, 2007: Mary Kite showed a video and read. Laura Steenberge played bass and Heather Lockie played fiddle, they both sang. Jane Sprague read. Franklin Bruno played guitar and sang. … At Late Night Snack on July 10, 2007: Danielle Adair read and danced. Maximus Kim presented his manifesto. C.J. Pizarro told 3 jokes, read 3 poems and sang 3 songs. Stan Apps read. … At Late Night Snack on June 26, 2007: Alyssandra Nighswonger played guitar and sang. Jane Sprague presented Syria is in the World by Ara Shirinyan. Ara Shirinyan read from Syria is in the World by Ara Shirinyan. The Year Zero played music. Alan Semerdjian & Will Alexander created music. … At Late Night Snack on June 12, 2007: A film by Danielle Adair. Will Alexander gave a lecture. Laura Steenberge played bass and sang. Todd Collins read. Stan Apps read. Lee Ann Brown did string tricks. Tony Torn and Lee Ann Brown presented a reading. … At Late Night Snack on May 29, 2007: A film by Nick Flavin. Jane Sprague performed. Laura Steenberge gave a lecture. Emily Lacy played banjo and sang. Will Alexander read. … At Late Night Snack on May 15, 2007: Ara Shirinyan read. Laura Steenberge played guitar and sang. Emily Lacy spontaneously played guitar and sang. Dan Richert’s hi-tech hut made sound. … At Late Night Snack on April 24, 2007: A film by Danielle Adair. Laura Steenberge played stand-up bass and sang. Teresa Carmody read. Sean Deyoe performed karaoke. Stan Apps read. Sandy Ding performed the Flash Light Show with Laura Steenberge. … At Late Night Snack on April 10, 2007: Emily Lacy played banjo and sang. Jen Hofer and Billy Mark created spontaneous poetry. WAMPA staged the Dialectical Fuss. Frederique de Montblanc and Janne Larsen presented the Masculinihilist Manifesto. … At Late Night Snack on March 20, 2007: Maximus Kim explained his manifesto. Ara Shirinyan. Milly Saunders read. Frederique de Montblanc and Janne Larsen presented a film. Jen Hofer read, assisted by William Mark. … At Late Night Snack on March 6, 2007: Mathew Timmons read. Oliver Hall played guitar and sang. Emily Lacy played banjo and sang. Stan Apps lectured spontaneously. … At Late Night Snack on Feb 20, 2007: Michael Smoler read handmade tarot cards and projected them on the wall. Emily Lacy played banjo and sang. Ara Shirinyan read. Jane Sprague read, assisted by Marcus Civin. … At Late Night Snack on Feb 6, 2007: Marcus Civin performed. Oliver Hall played guitar and sang. Roy Lanoy (Stan Apps) read from the WAMPA mailbag and dispensed advice. Alex Maslansky played guitar and sang. Nature’s Nobleman, Sir Oliver Hall, read from his WAMPA Conference address. Emily Lacy played banjo and sang. Teresa Carmody and Vanessa Place presented Turkey Trot. … At Late Night Snack on Jan 16, 2007: Marcus Civin performed, Oliver Hall played guitar and sang, Lloyd Ducal (Joseph Mosconi) and Roy Lanoy (Stan Apps) presented the tenets of WAMPA, Michael Smoler read handmade tarot cards and projected them on the wall, Darin Klein presented Untitled Performance with Stan Apps, Jesse Aron Green, Steven Reigns, and Christopher Russell, Emily Lacy played banjo, fiddle, and sang … At Late Night Snack on Dec 19, 2006: Oliver Hall played guitar and sang, Cat Lamb and Lewis Keller performed a composition for viola and electrified cymbal/electronics, Stan Apps read, Khanh Tran performed a recital on the theremin … At Late Night Snack on Dec 5, 2006: Oliver Hall played guitar and sang, Michael Smoler read handmade tarot cards and projected them on the wall, “Ghost drawings ‘were’ brought fourth throught the ouija board assisted by christian cummings and michael decker.”, Teresa Carmody and Vanessa Place played Judgment Day Bingo with the audience, Ara Shirinyan read … At Late Night Snack on Nov 21, 2006: Ara Shirinyan read, Sandy Ding performed the Flash Light Show, Oliver Hall played guitar and sang.

Plastic Crochet Workshop

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Plastic Crochet Workshop
Sunday, April 19 from 1-3pm
at Outpost for Contemporary Art

As part of the Hyperbolic Crochet Coral Reef Project, the Institute For Figuring is making a plastic reef to highlight the problem of plastic buildup in the oceans. We invite you to join us for a plastic crochet workshop. Crocheters at all levels of experience are welcome, from first-time novices to experienced experts. No prior crochet skill is required but if you are skilled you'll pick up the possibilities quickly. Bring plastic bags, video and audio tapes, and come craft a Reef Monster with Christine Wertheim, IFF co-director, at Outpost for Contemporary Art on Sunday, April 19th from 1pm to 3pm.

The IFF is dedicated to exploring the poetic dimensions of maths and science through public lectures interactive workshops and exhibits.

Readings

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Readings
Saturday April 18 at 4pm
at Outpost for Contemporary Art

Join us at Outpost for readings from Allison Carter, Joseph Mosconi and Alessandro De Francesco.

Allison Carter is the author of a book, A Fixed, Formal Arrangement (Les Figues Press) and a chapbook Shadows Are Weather (Horse Less Press). Her work has otherwise appeared in Joyland, 5_Trope, Fence, 3rd Bed, and other journals. These days Allison lives in Los Angeles, where she designs websites, teaches writing workshops, and co-edits the Particle Series with Joe Potts.

Joseph Mosconi is a writer and linguist from Los Angeles. He is co-editor of the art & poetry journal Area Sneaks and is co-director of the Poetic Research Bureau, a literary service in the public domain. His work has appeared in Try, Shampoo, Primary Writing, the Fillip Review and other journals and magazines.

Alessandro De Francesco (Pisa, Italy, 1981) lives in Lyon, France. He published the poetry book Lo spostamento degli oggetti in the collection Opera Prima (Verona, Cierre Grafica, 2008, with an afterword by Martin Rueff), directed by Flavio Ermini, Yves Bonnefoy, Umberto Galimberti and Andrea Zanzotto, and the trilingual poetry e-book da 1000m (HGH, www.gammm.org, 2009). As a poet, translator and literature theorist he published his works in several international reviews, such as “Anterem”, “Atelier”, “Écritures”, “Nioques”, “poet”, “OEI”, “Semicerchio”, “Testo e Senso”, etc., he realized several poetry readings, lectures, sound installations and performances (reading environments) all over Europe and was invited by institutions such as Denkmalschmiede Höfgen, The Berlin University of the Arts, Arthouse Tacheles Berlin, STEIM Amsterdam, Medialab Tallinn, Point Loma Nazarene University of San Diego, University of Paris-Sorbonne, etc. He was selected for the new talents’ poetry programs Nodo Sottile (directed by Vittorio Biagini and Andrea Sirotti) and RicercaBO (directed by Nanni Balestrini, Niva Lorenzini and Renato Barilli) and taught poetry at École Normale Supérieure LSH Lyon, where he is also Ph.D. student of Comparative Literature. He suceeded Jacques Roubaud as visiting poet at Judith Balso’s poetry and philosophy seminar at European Graduate School. His recent project Ridefinizione (Redefinition) is being translated into English, French, German, Dutch and Swedish.

LA-Lit: Harold Abramowitz

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LA-Lit interviews Harold Abramowitz
Saturday, April 18 at 1pm
at Outpost for Contemporary Art

We’d like to invite you to a live radio recording, reading & conversation this coming Saturday, April 18 at 1 p.m. at Outpost for Contemporary Art. Harold Abramowitz will be the featured writer on LA-lit, a radio show co-curated by Mathew Timmons & Stephanie Rioux. LA-Lit creates a space for dynamic conversation among poets and writers in the Los Angeles area. Reflecting the shifting nature of Los Angeles as a place, this may mean writers that have lived in LA all their lives or writers who happen to be in LA for a few days. LA-Lit is a place for the literary culture of Los Angeles to develop and exhibit itself.

To listen to interviews, you can find links to all the files at Penn Sound.
You can also visit LA-Lit’s Writers page.

Harold Abramowitz is a writer and editor from Los Angeles. His first book, Dear Dearly Departed, was published by Palm Press in 2008. Harold has two books forthcoming in 2009: Sin is to Celebration, a collaboration with Amanda Ackerman, from House Press, and Not Be Blessed from Les Figues Press. He is also the author of a chapbook, Three Column Table (Insert Press, 2007), a mirco-book, Sunday, or A Summer’s Day (PS Books, 2008), and an e-book, Technique of Bandaging and Splinting (Little Red Leaves, 2009). He has contributed to various literary publications, including Greetings, Fold: Appropriate Text, P-Queue, Ixnay Reader, String of Small Machines, and Moonlit. His work has also appeared in the anthologies A Sing Economy, An Anthology of Contemporary Experimental Poetry (Flim Forum 2008), The Physical Poets Volume 2 (2008), and Chronometry (2008). Harold co-edits the short-form literary press, eohippus labs, and co-curates the experimental cabaret event series, Late Night Snack.

Cold Call Friendly Phone Book


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Cold Call Friendly Phone Book
everywhere
at Outpost for Contemporary Art
Friday, April 10 at 6:30pm PST and 9:30pm EST

download the template and become part of the crudest social networking software available!

Goals of The Evening
1. Create shared kinesthetic and aural experiences
2. Open doors for future creative processing

COLD CALL FRIENDLY PHONE NIGHT
AN ARTISTIC BRIDGE WHICH ATTEMPTS TO CONNECT FRIENDLY STRANGERS

PARTICIPATING LOCATIONS:
1. Outpost for Contemporary Art 6375 N. Figueroa Street Los Angeles, CA 90042 (323) 982-9461
2. InCUBATE 2129 N Rockwell St, Chicago, Cook, Illinois 60647.
3. 4941 Pine St., Philadelphia PA 19143

OR CALL Phone Number: (724) 444-7444
Call ID: 19198, and join as guest

Probable activities to execute
1. read a poem
2. group stretching exercises
3. interpersonal questions
A). What would I find in your refrigerator right now?
B). If Hollywood made a movie about your life, whom would you like to see play the lead role as you?
C). If you were a salad, what kind of dressing would you have?
D). How would you describe yourself in three words?
E). Where will you be in twenty years?
F). If you had to become a conjoined twin who would you fuse with?
G). Describe the way you dance

Chris Niemi

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Chris Niemi
works on paper
Reception Friday March 27 from 7-10pm
at Outpost for Contemporary Art




Artist's Statement:
In this work I began with paper, paint, brush. I imagined it was the first time I encountered these tools. As an artist this allowed me to investigate my personal approach to artmaking. This led to questions like: at what point does a mark contain meaning? and what can I say with a mark? I added each color in a free floating layer, playing with its connotations. The forms start to arise out of this interplay. As I work on a piece, my interest is to create an emotional portrait rather than an image of objects.

I like to think the first mark is accidental. In a way how can the first one be anything else? Sometimes what is made by chance seems much more intended, maybe it is because you must choose to act randomly. Doing this series for me is almost a form of lucid dreaming. Time ceases to be linear. There is no linked narrative; the beginning, middle, and end of the ‘story’ appear to be happening at one time. Like a vague awareness of a genetic memory that allows you to participate in all memories.

My intention is that the viewer is pulled into an almost social, shifting, relationship with the work as she moves closer, possibly into a more intimate relationship than she wanted to be.

I see this series as raising questions about our relationship to an organic, mutable, messy physical existence and how do we make sense of a necessarily fragmented perception of the world?

Bio:
Chris Niemi was born in St. Paul, Minnesota and received her BFA from the Minneapolis College of Art and Design (MCAD) majoring in painting and sculpture. She currently lives and works in Los Angeles, California. This new series of works on paper visualizes a space and time where the beginning, middle, and end of the ‘story’ are happening simultaneously and raises questions about our relationship to an organic, mutable, messy physical existence.

General Projects: Ron Rudlong Returns 03/23/09 at 9pm



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General Projects Presents:
Ron Rudlong Returns
at Outpost for Contemporary Art
Monday, March 23 at 9pm

Ron Rudlong, founder of such bands as Arson Plus, Mike and the Machinists, The 12 Rons, The Bright Side of Death, Dolphins of Tomorrow, Your Demolition Band, Mouth Babies, Sexy Uncle, Zap, Rosdower, Real Canadian Girlfriend, The Marshall Fucker Band, Rape Door and We are Awesome returns to Los Angeles to play his very last show in Los Angeles before he dies of complications due to Narcolepsy.

Please join us for this occasion.
Yes.

Mathew Timmons
General Director
General Projects

Lip Service in the LOUNGE at REDCAT

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Read a review of Lip Service by Stan Apps.
Buy a copy of Lip Service at Slack Buddha.

Hey! I have a new chapbook out, Lip Service from Slack Buddha Press. Come celebrate this momentous literary occasion in the LOUNGE at REDCAT on Sunday, March 22 at 2pm with readings from myself, Will Alexander and Teresa Carmody and you can pick up your very own copy of Lip Service at the event. You can also order a copy online from Slack Buddha if you are so inclined.
best
Mathew Timmons

***
LIP SERVICE

By

Mathew Timmons
***



To celebrate this momentous literary and cultural occasion, there will be a reading/release party!

with readings
by
Will Alexander
Teresa Carmody
&
Mathew Timmons


in the LOUNGE At REDCAT
on Sunday March 22nd at 2:00 pm
Free
***

Thus,
Lip Service
A Reading/Chapbook release party

with readings
by
Will Alexander
Teresa Carmody
&
Mathew Timmons

in the LOUNGE at REDCAT
Sunday, March 22 at 2pm
Free

***

And as an added bonus incentive for joining us, you can pick up your own copy of Lip Service at REDCAT.

Or, to let you off the hook, but continue your celebratory obligation, you can order a copy online here,

***

LIP SERVICE
By
Mathew Timmons

***

Will Alexander is a poet and visual artist. Working from Los Angeles, he has updated the surrealist vision to write his own cosmic parables, in his own electric incandescent language. Alexander's writing represents a complex distillation of images from many fields, including botany, astronomy, psychology, physiology, mysticism, and history. His books include Above the Human Nerve Domain, Exobiology as Goddess, Asia & Haiti, Towards the Primeval Lightning Field (essays), The Stratospheric Canticles and Sunrise and Armageddon. He has two works forthcoming: Alien Weaving (Green Integer) and Sri Lankan Loxodrome (Canopic Publishing). The International Biographical Centre in Cambridge, England named Will Outstanding Scholar of the 20th Century, and he was also recognized by the Whiting Foundation for exceptional literary achievement in New York. In 2002 Will received a fellowship for poetry from the California Arts Council.

Teresa Carmody is the author of Requiem, (Les Figues, 2005) and the recent chap/micro books Eye Hole Adore (PS Books, 2008) and Your Spiritual Suit of Armor by Katherine Anne by Teresa Carmody (Woodland Editions, 2009). Other work has appeared in the emohippus greeting cards series, Slope, Fold Appropriate Text, American Book Review, Bombay Gin, and 4th Street. She was an organizer of the original Ladyfest (Olympia) and co-organizer of Feminaissance, a colloquium on women and writing at the Los Angeles Museum of Contemporary Art. She lives in Los Angeles where she is Co-Director of Les Figues Press.

Mathew Timmons is a writer, curator and critic in Los Angeles. He curates the installation series, The Ups & Downs, at workspace and runs General Projects at Outpost for Contemporary Art. He also co-edits/curates Insert Press (w/ Stan Apps), LA-Lit (w/ Stephanie Rioux) and Late Night Snack (w/ Harold Abramowitz). A chapbook, Lip Service is recently out from Slack Buddha Press. His first full length book, The New Poetics (Les Figues Press), his micro-book collaboration with Marcus Civin, a particular vocabulary (P S Books), and a chapbook, Lip Music (By the Skin of Me Teeth), are forthcoming. His work may be found in various journals, including: P-Queue, Holy Beep!, Flim Forum, The Physical Poets, NōD, PRECIPICe, Or, Moonlit, aslongasittakes, eohippus labs, Area Sneaks, Artweek and The Encyclopedia Project.

Movie Reel Project

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Movie Reel Project
at Outpost for Contemporary Art

Over the course of the next few months we'll be switching in and out various videos from various artists. During open hours at Outpost you may arrive and find one of the movies from the list below happily playing along on a nice monitor. We'll also be scheduling screenings of these projects at Outpost. We might also make popcorn. mmmmmm...

Ainsi fon fon fon les petites demoiselles… and that’s why I’m not a Lesbian.
Multimedia Installation, May 2007, California Institute of the Arts.
An original work by Frederique de Montblanc and Janne Larsen
Artists who have participated on this project: Sidonie Loiseleux, Yuen Cheuk Wa, Pablo Molina, Zachary Drucker and Arsene Delay.
This is a compilation of four videos--Self Portrait, Concentrated Milk, The Old Lady and the Milkmaid and Masculinihilist--developed about the many facades woman put on and discard throughout the various roles they play. Watch The Old Lady and the Milkmaid Now.

The Audience Reacts
by Julia Sherman
On television and film productions featuring a live audience, there comes a time when the extras are asked to cycle through all possible reactions to the actual show. This footage will be edited into 2 second segments later on, but the shoot turns into a kind of endurance test of artifical emotion. This strange excercise is a much-anticipated moment for extras to act on-camera, and the result is some kind of super-audience, with endless stamina and unparalleled enthusiasm. In The Audience Reacts, we never catch a glimpse of what the audience may or may not be watching on stage/screen. They dart back and forth between extreme reactions, booing, clapping, laughing and hissing in an infinite loop, suddenly becoming the stars of their very own movie. See an example here.

Boards and Nails: On Non-Profit Boards

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The After School Arts Program (ASAP) will be presenting a free conversation at Outpost for Contemporary Art on Saturday, March 14 from 1:00-3:00 p.m.

Boards and Nails: On Non-Profit Boards
Presentation will be followed by Q&A

Listen to a recording of the conversation.

Guest Speakers:

Walter Askins
Artist, Former Board member of the Pasadena Arts Museum (1963-1968)
and Los Angeles Institute of Contemporary Art (LAICA)

Letitia Ivins
Former member of the Outpost for Contemporary Art Advisory Board and current
member of the Los Angeles County Arts Commission

Vincent Ruiz-Abogado, LACE Board Member, is an independent art
director and film maker.

There will be refreshments, so please come early and stay after to chat.


About the After School Arts Program:
The After School Arts Program (ASAP) provides innovative and
experimental arts programming for artists, curators, historians and
critics interested in continuing their education in the visual arts.

ASAP is a not-for-profit community service offering lectures, salons,
workshops, critiques, exhibitions, film screenings and publications.
Dedicated to producing an educational and creative space outside of
the university system, ASAP is a bridge between the rigors of academia
and the plasticity of the natural world. Supporting programs/curricula
that might not exist with in a university setting, ASAP is committed
to experimentation and the ideology that the current status quo for
arts education is not the most effective method for engaging
contemporary audiences. ASAP does not advocate a superior method for
communicating ideas visually but rather promotes alternative modes of
understanding.

LA's Feral Institutions



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LA's Feral Institutions.
Afterall's Conversation Lounge
College Art Association's 2009 Annual Conference

Friday, February 27, 2009 at 4 pm

A panel discussion led by Mathew Timmons with Mark Allen (Machine Project), Michael Ano (ASAP), Sean Dockray (The Public School), and Christine Wertheim (The Institute for Figuring).

Listen to a recording of the conversation here.

As a complement to the College Art Association's 2009 Annual Conference program sessions, Afterall hosts a series of 30-60 minute conversations offering insights into Los Angeles and its cultural history, present and future. Scheduled events include interviews with local artists, roundtable discussions, and talks by critics, curators and scholars that bridge the distance between early artistic developments and current practice.

Location:
CAA Book and Trade Fair
Los Angeles Convention Center
1201 S. Figueroa Street
Los Angeles, CA 90015

Art Writings




Erik Frydenborg's Protein Recital at Bonelli Contemporary (read at themagla.com)
For his first solo exhibition, Erik Frydenborg assembled appropriated imagery and multicolored cast sculptures, which he displayed on modular pedestals. These presentation modules, made of stained wood and based on a found prototype, strike a high modernist look but are more reminiscent of a natural history museum than of a gallery setting. Frydenborg's smaller-scale sculptures, made of polyurethane plastic, foam, pigments, and latex rubber, seem casual and approachable on a human scale. They suggest castoffs from the process of fabricating much larger work. The arrangement of objects in pieces like Sotto Voce and Selected Region, in which smaller cast objects are cut in half and set next to other halved objects in mismatched pairs, creates uncanny relationships among the elements.

Rather than each sculptural element being a work in itself, Frydenborg curates a collection of his objects into a single piece. In Legend, Frydenborg presents his base materials as one small sculpture resting on a pedestal plus a collection of images (including a food pyramid and various underwater creatures) that are altered and repeated throughout the rest of the installation. Works such as Untitled (Young Group) and Sleeper present bits and pieces put together to present a semblance of, well, bits and pieces. Instead of the building blocks of a holistic universe, these deformed fragments resemble the pottery shards of an entirely synthetic world, unable to evoke any sort of complete picture.

Frydenborg's parallel world isn't simply a direct reflection or critique of ours. In Untitled (Refrain), as in the rest of the show, he makes no claim on a privileged position of judgment within the piece. There is only a metonymic chain of elements set next to each other. Frydenborg is neither an optimist nor a pessimist, directing our attention without bias towards the chaos of deterioration, fragmentation, and reassembly as his various objects create a rhythmic chorus of forms.
--Mathew Timmons




Rudlong, Ron

≡≡≡≡≡
General Projects Presents:
Ron Rudlong Returns
at Outpost for Contemporary Art
Monday, March 23 at 9pm

Famous Musician coined the term AWESOME!

Ron Rudlong, founder of such bands as Arson Plus, Mike and the Machinists, The 12 Rons, The Bright Side of Death, Dolphins of Tomorrow, Your Demolition Band, Mouth Babies, Sexy Uncle, Zap, Rosdower, Real Canadian Girlfriend, The Marshall Fucker Band, Rape Door and We are Awesome returns to Los Angeles to play his very last show in Los Angeles before he dies of complications due to Narcolepsy.

Please join us for this occasion.
Yes.

Mathew Timmons
General Director
General Projects

Rioux, Stephanie

≡≡≡≡≡
Stephanie Rioux Co-hosts and Co-Produces LA-Lit with Mathew Timmons. Stephanie graduated from California Institute of the Arts with an MFA in Writing in Spring 2005. Her writings have appeared in the literary journals nocturnes (re)view, Trepan, Black Clock, and Primary Writing, and are self-published on the internet at tinyorganism. Stephanie teaches English and writing to middle school kids in Diamond Bar, California.

LA-Lit

≡≡≡≡≡
LA-Lit

Co-hosted and co-produced by Stephanie Rioux and Mathew Timmons, LA-Lit interviews poets and writers in the Los Angeles area. Reflecting the shifting nature of Los Angeles as a place, this may mean writers that have lived in LA all their lives or writers who happen to be in LA for a few days. LA-Lit is a place for the literary culture of Los Angeles to develop and exhibit itself.

To listen to interviews, you can find links to all the files below.
All of LA-Lit's interviews are also hosted on Penn Sound.
You can also visit LA-Lit's website.

LA-Lit 1: Ara Shirinyan
LA-Lit interviewed Ara Shirinyan in late August 2005.
Download the audio files here:
LA-Lit 1 Part a & LA-Lit 1 Part b

LA-Lit 2: Stan Apps
LA-Lit interviewed Stan Apps in early September 2005.
Download the audio files here:
LA-Lit 2 Part a & LA-Lit 2 Part b

LA-Lit 3: Julien Poirier
LA-Lit interviewed Julien Poirier on Sunday, September 18, 2005 at 5pm.
Download the audio file here:
LA-Lit 3

LA-Lit 4: Doug Kearney
LA-Lit interviewed Doug Kearney on Thursday, October 13, 2005 at 5pm.
Download the audio files here:
LA-Lit 4 Part a & LA-Lit 4 Part b

LA-Lit 5: Jen Hofer
LA-Lit interviewed Jen Hoffer on Sunday, October 23, 2005 at 5pm.
Download the audio files here:
LA-Lit 5 Part a & LA-Lit 5 Part b

LA-Lit 6: Amarnath Ravva
LA-Lit interviewed Amarnath Ravva on Sunday, December 4, 2005 at 5pm.
Download the audio files here:
LA-Lit 6 Part a & LA-Lit 6 Part b

LA-Lit 7: Jane Sprague
LA-Lit interviewed Jane Sprague on Sunday, December 11, 2005 at 5pm.
Download the audio files here:
LA-Lit 7 Part a & LA-Lit 7 Part b

LA-Lit 8: Diane Ward
LA-Lit interviewed Diane Ward on Sunday, February 5, 2006 at 5pm.
Download the audio files here:
LA-Lit 8 Part a & LA-Lit 8 Part b

LA-Lit 9: Guy Bennett
LA-Lit interviewed Guy Bennett on Sunday, February 12, 2006 at 5pm.
Download the audio files here:
LA-Lit 9 Pta & LA-Lit 9 Ptb

LA-Lit 10: José Alvergue
LA-Lit interviewed José Alvergue on Sunday, February 19, 2006 at 5pm.
Download the audio files here:
LA-Lit 10 Part A & LA-Lit 10 Part B

LA-Lit 11: Anthony McCann
LA-Lit interviewed Anthony McCann on Sunday, April 9, 2006 at 5pm.
Download the audio files here:
LA-Lit 11 Pta & LA-Lit 11 Ptb

LA-Lit 12: Matvei Yankelevich and Anna Moschovakis
LA-Lit interviewed Matvei Yankelevich and Anna Moschovakis on Tuesday, April 11, 2006 at 8pm.
Download the audio files here:
LA-Lit 12 Pta & LA-Lit 12 Ptb

LA-Lit 13: Bruna Mori
LA-Lit interviewed Bruna Mori on Sunday, May 21, 2006 at 2pm.
Download the audio files here:
LA-Lit 12 Pta & LA-Lit 12 Ptb

LA-Lit 14: Will Alexander
LA-Lit interviewed Will Alexander on Sunday, June 25, 2006 at 2pm.
Download the audio files here:
LA-Lit 14 pt a & LA-Lit 14 pt b

LA-Lit 1 Yr Anniversary
LA-Lit celebrated its 1 Year Anniversary at Betalevel with a discussion of the experimental literary scene in Los Angeles on Sunday October 15 at 3pm.
Download the audio files here:
Discussion & Readings

LA-Lit 15: Chris Kraus
LA-Lit interviewed Chris Kraus on Friday, November 3rd at 7pm.
Download the audio files here:
LA-Lit 15 pt a & LA-Lit 15 pt b

La-Lit 16: Teresa Carmody
LA-Lit interviewed Teresa Carmody on Sunday, November 19th at 3pm.
Download the audio files here:
LA-Lit 16 pt a & LA-Lit 16 pt b

LA-Lit 17: Bay Poetics
On Saturday, December 2 at 1pm, writers Del Ray Cross, Susan Gevirtz, Suzanne Stein, Stephanie Young and Magdalena Zurawski (whose work appears in the new anthology Bay Poetics edited by Stephanie Young) were our guests.
Download the audio files here:
LA-Lit 17 Discussion & LA-Lit 17 Readings

LA-Lit 18: Sawako Nakayasu
LA-Lit interviewed Sawako Nakayasu on Sunday, December 10th at 5pm.
Download the audio files here:
LA Lit 18 part a & LA Lit 18 part b

LA-Lit 19: Mark Wallace
LA-Lit interviewed Mark Wallace on Saturday, February 3 at 3pm.
Download the audio files here:
LA-Lit 19 pt a & LA-Lit 19 pt b

LA-Lit 20: Vanessa Place
LA-Lit interviewed Vanessa Place on Sunday, February 25, 2007 at 3pm and Sunday, March 16, 2008.
Download the audio files here:
LA-Lit 20 pt a & LA-Lit 20 pt b

LA-Lit 21: Maggie Nelson
LA-Lit interviewed Maggie Nelson on Sunday, March 11 at 3pm.
Download the audio files here:
LA-Lit 21 pt a & LA-Lit 21 pt b

LA-Lit 22: Mark von Schlegell
LA-Lit interviewed Mark von Schlegell on Sunday, April 15 at 3pm.
Download the audio files here:
LA-Lit 22 pt a & LA-Lit 22 pt b

LA-Lit 23: Lee Ann Brown
LA-Lit interviewed Lee Ann Brown on Sunday, June 24 at 5pm.
Download the audio files here:
LA-Lit 23 pt a & LA-Lit 23 pt b

LA-Lit 24: Christine Wertheim
LA-Lit interviewed Christine Wertheim on Sunday, September 23 at 5pm.
Download the audio files here:
LA-Lit 24 pt a & LA-Lit 24 pt b

LA-Lit 25: WeHo Book Fair-LA Avant Underground Panel Discussion
LA-Lit moderated the LA Avant Underground Panel at the WeHo Book Fair on Sunday, September 30 at 11am with panelists Harold Abramowitz, Teresa Carmody, and Ara Shirinyan.
Download the audio file here:
LA-Lit 25 complete recording

LA-Lit 26: Demosthenes Agrafiotis
LA-Lit interviewed Demosthenes Agrafiotis on Thursday, October 18 at 8pm.
Download the audio files here:
LA-Lit 26 pt a & LA-Lit 26 pt b

LA-Lit 27: Masha Tupitsyn
LA-Lit interviewed Masha Tupitsyn on Friday, October 19 at 8pm.
Download the audio files here:
LA-Lit 27 pt a & LA-Lit 27 pt b

LA-Lit 28: Eileen Myles
LA-Lit interviewed Eileen Myles on Sunday, November 4 at 5pm.
Download the audio files here:
LA-Lit 28 pt a & LA-Lit 28 pt b

LA-Lit 29: Catherine Daly
LA-Lit interviewed Catherine Daly on Sunday, November 11 at 5pm.
Download the audio files here:
LA-Lit 29 pt a & LA-Lit 29 pt b

LA-Lit 30: Nada Gordon
LA-Lit interviewed Nada Gordon on Sunday, December 2 at 1pm.
Download the audio files here:
LA-Lit 30 pt a & LA-Lit 30 pt b

LA-Lit 31: Thérèse Bachand
LA-Lit interviewed Thérèse Bachand on Sunday, March 9 at 7pm.
Download the audio files here:
LA-Lit 31 pt a & LA-Lit 31 pt b

LA-Lit 32: Dan Machlin
LA-Lit interviewed Dan Machlin on Saturday, April 12 at 2pm.
Download the audio files here:
LA-Lit 32 pt a & LA-Lit 32 pt b

LA-Lit 33: Kristin Palm
LA-Lit interviewed Kristin Palm on Sunday, June 1 at 3pm.
Download the audio files here:
LA-Lit 33 pt a & LA-Lit 33 pt b

LA-Lit 34: Vincent Dachy
LA-Lit interviewed Vincent Dachy on Monday, October 27 at 8pm.
Download the audio files here:
LA-Lit 34 pt a & LA-Lit 34 pt b

LA-Lit 35: Lisa Samuels
LA-Lit interviewed Lisa Samuels on Sunday, November 23 at 8pm.
Download the audio files here:
LA-Lit 35 pt a & LA-Lit 35 pt b

LA-Lit 36: Harold Abramowitz
LA-Lit interviewed Harold Abramowitz on Saturday, April 18 at 2pm.
Download the audio files here:
LA-Lit 36 pt a & LA-Lit 36 pt b

LA-Lit: Clouds

form-body-surface-material-method-growth-sound-mass-condensation
atmospheric-nebulae-clarity-reveals-recreation-currents-groundless-texture
connectivity-dense-manifest-rhythm-decenter-collaborate-surprise-confer-disperse

LA-Lit: Clouds :: November 21+22, 2008

at Betalevel and Center for the Arts Eagle Rock




LA-Lit celebrated its three year anniversary on Friday November 21 at Betalevel and on Saturday November 22 at Center for the Arts Eagle Rock. For over three years, LA-Lit has developed a new space for the literary culture of Los Angeles to develop and exhibit itself. Reflecting the shifting nature of Los Angeles, LA-Lit has conducted well over thirty interviews with poets and writers who have lived in LA all their lives as well as writers who have visited LA for only a few days. Please join us for LA-Lit: Clouds :: a two day conference in Los Angeles connecting the de-centered literary culture of LA in an effort to investigate it’s current manifestations and to develop a sense of LA’s inherent literary spontaneity.

LA-Lit: Clouds :: Schedule

Friday November 21:

8:00pm-11:00pm:

Perform and Celebrate at Betalevel
LA-LitCloudsDay1a (audio coming soon!) Stephanie Rioux, Mathew Timmons, Amarnath Ravva.
[break]
LA-LitCloudsDay1b (44:30): Intro comments by Mathew Timmons, (1:43) special introduction by Sawako Nakayasu, (5:39) Teresa Carmody, (14:10) introduction by Stephanie Rioux, (15:03) Lisa Samuels, (29:04) introduction by Mathew Timmons, (32:03) Stan Apps.

Saturday November 22:

Confer at Center for the Arts Eagle Rock

12:00pm-1:30pm

form-body-surface-material-method-growth-sound-mass
-condensation-structure-elements-foreground-background

Moderator: Mathew Timmons. Panelists: Stan Apps, Guy Bennett, Christine Wertheim, Ara Shirinyan
LA-LitCloudsDay2Panel1 (1:32:09): Introduction by Mathew Timmons, (2:41) Stan Apps, (17:56) Guy Bennett, (30:24) Ara Shirinyan, (42:01) Christine Wertheim, (1:00:12) Q&A.

2:00pm-3:30pm

atmospheric-nebulae-clarity-reveals-recreation-currents-
groundless-textured-visible-droplets-interstellar-crystalline

Moderator: Stephanie Rioux. Panelists: Will Alexander, Teresa Carmody, K. Lorraine Graham, Amarnath Ravva, Mark Wallace
LA-LitCloudsDay2Panel2 (1:42:13) Introduction by Stephanie Rioux, (6:23) Teresa Carmody, (16:42) Amarnath Ravva, (26:11) Mark Wallace, (37:27) K. Lorraine Graham, (49:18) Will Alexander, (1:06:36) Q&A.

4:30pm-6:00pm

Perform at Center for the Arts Eagle Rock

Demosthenes Agrafiotis, Will Alexander, Guy Bennett, K. Lorraine Graham, Sawako Nakayasu, Ara Shirinyan, Mark Wallace, Christine Wertheim
LA-LitCloudsDay2Rdng1 (45:28) Introduction by Mathew Timmons, (1:53) Christine Wertheim, (10:40) introduction by Mathew Timmons, (12:07) Ara Shirinyan, (30:28) introduction by Stephanie Rioux, (31:56) Guy Bennett
[break]
LA-LitCloudsDay2Rdng2 (1:06:39) Introduction by Mathew Timmons, (2:00) Sawako Nakayasu, (13:29) introduction by Stephanie Rioux, (14:56) Mark Wallace, (27:15) Introduction by Stephanie Rioux, (28:55) Demosthenes Agrafiotis, (35:56) introduction by Stephanie Rioux, (37:00) K. Lorraine Graham, (45:30) introduction by Mathew Timmons, (47:50) Will Alexander